CP - No. 16 (2011) EditorialAbstracts: 9 records
PASCALE ANTOLINDiane Arbus’s Photographic Work: an Idiosyncratic Picture of the Sixties
MEHMET ALI ÇELIKELGulliver’s Travels and The Satanic Verses: Migration, Alienation and Monstrosity
LUMINIŢA DRUGĂ, NADIA-NICOLETA MORĂRAŞUSocio-cultural Representations of the Ethnic Identity Crises of Romanian Gypsy/Roma Population
RALUCA GALIŢAThe Black Women’s Linguistic Representation in the Titles of ”Essence” Magazine
ALI GÜVENRushdie’s Ideology in Midnight’s Children through History and Plural Identities
MIHAELA BUZATU HRIBANLinguistic Interculturality
SAEID RAHIMIPOORPost Modernism, Absurdity, and Identity in Samuel Beckett’s and Harold Pinter's Drama
ANDREIA-IRINA SUCIUIan McEwan’s Amsterdam – or -From the (Re)presentation of Reality’s Art(s) to the Reality of (the) Art(s)
FĂNEL TEODORAŞCUPrivate and Public Spaces – Semiotic Resources of Representing Women
Copyright (c) 1995-2007 University of Bacău