CP - No. 25 (2020) EditorialAbstracts: 15 records
BRINDUSA-MARIANA AMALANCEIFRAGRANCES AND THE SPIRIT OF THE CITIES
GABRIELA ANDRIOAIPROMOTING URBAN DIGITAL CULTURE THROUGH METAPHORIC REPRESENTATIONS
IOANA BOGHIAN, PETRONELA SAVINTHE ROMANIAN TRADITIONAL OVEN: CULTURAL PRACTICES AND SIGNIFICATIONS
MIRA BRAOVIĆ PLAVŠA, MARIJANA ALUJEVIĆSTUDENTS’ PERCEPTION OF NONVERBAL ELEMENTS IN INTERCULTURAL COMMUNICATION
KATARÍNA BRZIAKOVÁTHE PARALLELS AND DIFFERENCES BETWEEN THE URBAN AND COUNTRY WAYS OF SOCIALIZING IN THE WORLDS OF JANE AUSTEN AND HELEN FIELDING
MARÍA INÉS CASTAGNINOBOMBS IN THE SKY, RUINS IN THE CITY: ASPECTS OF URBAN BOMBARDMENT IN THE END OF THE AFFAIR AND SPIES
CARMEN ESCOBEDO DE TAPIATHE INDIAN SOCIAL NOVEL IN ENGLISH: A NEO-VICTORIAN ENCOUNTER
ANCA DANIELA FRUMUSELU, ANDREA ROXANA BELLOTENHANCING URBAN CULTURE AWARENESS AND ANTI-RACISM VALUES IN THE EFL CLASSROOM
RALUCA GALIŢA, ELENA BONTASHAPING BACĂU’S URBAN CULTURE THROUGH ENGLISH
ANDREA LLANO BUSTAFROM COMMUNAL BEING TO INDIVIDUAL BELONGING: POTENTIAL SELVES IN SHOBHA RAO’S SHORT FICTION
ALEJANDRA MORENO-ÁLVAREZSHIFTING SOCIAL AWARENESS: FROM MONSOON WEDDING TO MADE IN HEAVEN
MONICA-PAULINA PĂTRUȚTHE ELEMENTS OF THE DIDACTIC COMMUNICATION PROCESS – A THEORETICAL PRESENTATION
SAEID RAHIMIPOURHISTORICAL, RELIGIOUS, AND POLITICAL CONTENT IN HARPER LEE’S TO KILL A MOCKING BIRD
SAŠA SIMOVIĆCULTURAL PERSPECTIVES AND “THE TOMAHAWK MAN”
ANDREIA-IRINA SUCIU, MIHAELA CULEACITYSCAPES IN ZADIE SMITH’S NW