The role of the refugee in the revue and in the musical show

In Greece, after the disaster in Asia Minor, so-called light shows often include refugee women from Smyrna in their dramatic structure. The playwrights, in the 20th century, with a humorous tone, allowed this presence far from a dystopian atmosphere. This intervention tries to focus on the reasons for this way of integrating the role of the refugee and questions the difference in reception of the phenomenon in contemporary theatre.